3 Supplement Answers | Berklee Harmony

Elias closed the file. He deleted the draft he’d been protecting. Then, on the bass line C–Db–F–E, he wrote the most outrageous thing he could: a German augmented sixth (Ab–C–Eb–F#) that resolved not to G, but to a suspended B-flat chord with a major seventh—a sound so wrong it felt like a memory of a dream.

Elias had the first three questions done. Standard modulations. But question four was a monster: “Given this bass line (C–Db–F–E), realize a four-voice progression using an augmented sixth chord that resolves deceptively. Then, reharmonize the same bass line using only negative harmony.” Berklee Harmony 3 Supplement Answers

“Finally. See me after class. We need to talk about your film scoring minor.” Elias closed the file