This is a brutalist alternative. You take a metal plate, cover it with a photoresist (exposed with your image), and then sandblast the entire plate. The resist protects the highlights, while the shadows get deeply pitted. The result is a random, deep texture that holds a massive amount of ink. When printed, it looks like a cross between mezzotint and gravure. Part VI: The Digital Inkjet Simulation (The Pragmatist’s Choice) If you are a photographer, not a printmaker, and you simply want the visual result of a photogravure on your wall, high-end inkjet printing has caught up.
The good news is that the pursuit of that distinctive gravure look —a continuous-tone, painterly image with a rich physical presence—has never been more accessible. Today, a new generation of non-toxic, low-tech, and hybrid processes can replicate, and in some cases surpass, the aesthetic of traditional photogravure. photograv alternative
Because polymer plates are so forgiving, they can hold detail from inkjet-printed acetate. By manipulating the opacity of your inkjet black (using a RIP or specialized all-black ink sets), you can create a "continuous tone" negative. This is a brutalist alternative