“You ain’t the first to come asking for Lily Labeau,” he said, sliding a shot of amber liquid toward her. “Last one was a kid with a backpack and a ukulele. He asked for ‘Rion King, the lost prince of jazz.’ I told him—Rion ain’t a prince. He’s a key. And keys need locks.”
Gutter pointed a gnarled finger at the cat in the photograph. “All Cat don’t like humans. But it loves three things: raw shrimp, a lullaby sung in a minor key, and the scent of a person who’s truly alone. You got any of those?” Searching for- lily labeau rion king in-All Cat...
All Cat opened its mouth wide—wider than any earthly jaw—and from its throat came not a roar, but a duet. Lily Labeau’s honeyed alto and Rion King’s gravelly tenor, woven together like vines. The music lifted Mars off the pirogue, spun her once, and set her down on a streetcar track in 1997, where a woman in a sequined dress and a man with gold-ringed fingers sat holding hands, laughing at nothing. “You ain’t the first to come asking for
Rion King smiled. “For someone lonely enough to hear us.” He’s a key
And somewhere under the water, Lily Labeau and Rion King finally danced.
Mars picked it up. “Hello, All Cat,” she whispered.
The trail led her through the alleys of the French Quarter, past tarot readers who shuddered when she showed the photo, and into a basement juke joint called “The Drowned Piano.” The air smelled of chicory coffee and regret. Behind the bar stood a one-eyed man named Gutter, who scratched a patchy beard and squinted at the picture.