| WA8LMF Home Page | Main Ham Radio Page | Main APRS Page | Updated 01 June 2020 |
This program allows you to automatically download and stitch bitmap tiles from Google Maps, Microsoft Virtual Earth, Yahoo Maps or Open Street Map into seamless map images of virtually any size. It allows you to download either street map or satellite views from any of these sources.
The images captured by this program are non-projected (i.e. simple rectangular X/Y grid with latitude and longitude lines at right angles) at least for distances of 85-100 miles (130-160 KM) across. The assembled maps are suitable for use directly with any APRS program that can use static (fixed non-zooming) images as maps, or as underlays for the Precision Mapping Server plugin for UIview. The images align perfectly with the non-projected vector maps produced by Precision Mapping in UIview.
Note that when used with UIview, downloaded/tiled images can be far larger (in pixels) than the resolution (in pixels) of your computer display system. UIview will "automagically" create a "viewport" window that shows a portion of the oversized map image. You can then scroll (but not zoom) around the entire map. UIview DOS NOT downsample the map image into an illegible blur in an effort to fit all of it onto the screen at once. If you reduce the color depth of map images to 256 or 16 colors, UIview can easily handle 4000x4000 pixel images or larger. iIe. the equivalent of "Ultra-HD" a.k.a. "Quad-HD" images, even if the computer display is far lower resolution -- 1024x768 XGA or 1920x1080 "full HD".
Universal Maps Downloader a.k.a. "UMD" is a $59.95 shareware program. The free "trial" download has limited functionality; it will download maps at a resolution suitable for regional coverage. For higher resolution downloads suitable for street-level applications, it requires registration. The program is available from
<http://www.allmapsoft.com/umd>
The program has a total installed footprint of about 5 MB. Of course, you will want considerably more space for captured map images. UMD actually consists of three separate .EXE files: the main program that does the downloading of a specified area, a "Map Viewer" that can display the collected tiles as a single large image, and a "Map Combiner" that stitches the downloaded tiles into a single large .BMP file.
When you start the main program, you are greeted by this screen. The un-calibrated "Zoom level:" slider increases/decrease the linear resolution about 2:1 for each step; i.e. quadruples or quarters the number of pixels in the resulting image. The actual size of each downloaded tile is a constant 256x256 pixels regardless of resolution requested. As you increase the resolution, the number of these tiles downloaded (for a given area defined by a pair of lat/long values) increases. Requesting a county-sized area or larger, at street-level resolution, will result in the download of hundreds or thousands of tiles.
The latitude & longitude coordinates that select the area to be captured are entered in degrees and decimal degrees (DD.dddddd) -- not degrees-minutes-seconds (DDMMSS), or degrees and decimal minutes (DD MM.mmmm). A converter tool is available from the menu to convert DDMMSS to DD.dddddd. Annoyingly it won't convert the default GPS (and APRS) format of DD MM.mmmm. You can enter lat/long to any number of decimal places (at least 10). Since UMD always downloads fixed 256x256 pixel tiles, you may get an area slightly larger than requested regardless of the precision of your coordinates.
(A separate tool that converts between all
three coordinate formats is downloadable from my website.
)
The "Maps type:" pull-down allows you to choose the source of your images. Successive releases of the program every few months keep expanding the range of choices.
The "Task name" entry box above "Maps type:" allows you to save all the settings on the screen to a named file. This is useful for downloading images from several different sources with exactly the same lat/long and zoom settings. Later, the lat/long values can be copied/pasted into .SAT or .INF calibration files for maps used in various programs. These will only be approximate starting points that will need some trial & error "tweaking" to bring the map into precise alignment (since the actual captured areas will always be slightly larger than requested).
With all the settings selected and/or entered, you click the
"Start" button. Depending on the number of tiles requested (which is computed
and displayed in the lower left corner), the download time will range from
nearly instantly to several minutes or more. In this screen shot, the resolution is
set to the default "Zoom Level 12". This is the most detailed that the
unregistered/trial version of the program will accept.
The log file in the right window shows a list of the tiles captured. This
data is also automatically saved to the file
nnnn_log.txt where
nnnn is the Task Name assigned to the capture. This file is saved into the same
directory specified for "Path to save:"
If you you scroll the log display back to the top (or open the log file in Notepad), you will see two sets of coordinates representing the upper-left and lower-right corners of the captured map area. The first set are the values you entered. The second set (circled in the screen shot below) are the actual area captured, resulting from rounding up to boundaries of the tiles required to capture the desired area. The second set of coordinates (circled below) are the exact values you need to precisely calibrate the map for use in APRS programs! Just copy and paste these values into the appropriate .INF or .SAT file. (You may have to convert the DDD.dddddd decimal degrees format into the GPS/APRS format of DD MM.mmmmmm format for some programs.)
run.
The downloaded tiles are saved as .PNG files, but the "Map Combiner" auto-stitcher produces a .BMP file as it's output. The default saved image is in 24-bits-per-pixel photographic "high-color" format which results in unnecessarily large files. Reducing the color depth to 256 colors (8-bits-per-pixel) with an image editor program such as Windows Paint or IrfanView, and then resaving the file, will cut the file size to one-third of the original. I used the freeware IrfanView utility to convert these to .GIF format (which intrinsically is limited to 256 colors or less). The links below provide examples of the map images produced by the various sources.
Some of these samples are very large (2000x3000
pixels or more) images. Some browsers will attempt to downsize oversized
images to fit the browser window. Turn off this automatic resizing to
see the highest-quality images. You will then have to scroll
horizontally and/or vertically to view the entire map.
Note that most APRS programs (UIview, APRSplus, etc) will allow you to use
images far larger than your screen; your application becomes a scrollable view
port showing part of a much larger image. I have successfully used
images of 4000x5000 pixels with UIview running on a 1024x768 XGA screen. The
key is to reduce the color depth of images to only 16 or 256-colors from the
default 24-bit photographic "high-color"; this cuts the amount of image data
the program has to deal with to one-third.
Warning! Some of these sample
GIF images are very large files. Most are between 1 and 5 megabytes. A
couple are around 10 MB. They will take significant time to download.
Each sample opens in a new window (tab in modern browsers) for quick comparison.
Greater Los Angeles Regional
View (About 85 Miles Across)
|
Captured From Google Maps |
| Streets Zoom Level 10 (614 KB) |
| Streets Zoom Level 11 (1.9 MB) |
| Streets Zoom Level 12 (5.8 MB) |
| Satellite Zoom Level 10 (1 MB) |
| Terrain Zoom Level 11 (3 MB) |
| Terrain Zoom Level 12 (9.8 MB) - HUGE!) |
Captured From Microsoft Virtual Earth |
| Streets Zoom Level 11 (1.9 MB) |
| Streets Zoom Level 12 (5.9 MB) |
| Satellite Zoom Level 11 (3.4 MB) |
| Hybrid [Streets & Satellite] Zoom Level 11 (3 MB) |
| Hybrid [Streets & Satellite] Zoom Level 12 (11.3 MB - HUGE!) |
Captured From Yahoo Maps |
| Streets Zoom Level 11 (1.9 MB) |
| Streets Zoom Level 12 (6.3 MB) |
| Satellite Zoom Level 11 (3.1 MB) |
Captured From Open Street Maps |
| Streets Zoom Level 11 (1.7 MB) |
| Streets Zoom Level 12 (5.6 MB) |
Pasadena, CA City Scale View (About 6 Miles
Across)
|
Google Maps |
| Streets Zoom Level 12 (140 KB) |
| Streets Zoom Level 14 (544 KB) |
| Terrain Zoom Level 12 (220 KB) |
| Terrain Zoom Level 14 (1.3 MB) |
Microsoft Virtual Earth |
| Hybrid [Streets & Satellite] Zoom Level 12 (140 KB) |
| Hybrid [Streets & Satellite] Zoom Level 14 (1.5MB) |
Yahoo Maps |
| Streets Zoom Level 12 (160 KB) |
| Streets Zoom Level 14 (160 KB) |
Consider the mechanics of her seduction. In classic romantic storylines, the male lead is often portrayed as a fortress of fidelity—until Devil Khloe appears. She does not break down the walls; she finds the hidden door. She might employ a signature cocktail of tactics: the “accidental” intimate encounter, the strategic display of vulnerability (a tearful confession of loneliness), or the direct challenge to his masculinity. Her power lies in her ability to make infidelity feel like destiny rather than betrayal. She reframes the affair as a rescue mission: she is saving him from the slow death of domestic mediocrity. This narrative framing is crucial, as it allows the audience to be simultaneously horrified and enthralled.
The most sophisticated romantic storylines, however, subvert this expectation. In works of literary fiction or complex drama, Devil Khloe is given a backstory. We learn that she seduces because she was never truly loved; she disrupts because stability was never modeled for her; she burns relationships down because she fears being burned first. Suddenly, the “devil” is revealed as a wounded woman wielding seduction as a weapon of self-defense. This reframing transforms the romantic storyline from a simple morality play into a tragic exploration of how hurt people hurt people. The seduction is no longer just about sex or conquest; it is a desperate, flawed attempt to fill a void that no affair can ever truly fill. SexMex 24 06 28 Devil Khloe She Seduces The Ner...
At its core, the “Devil Khloe” archetype is defined not by malice alone, but by . Unlike the passive “other woman” who is seduced against her will, or the tragic mistress who pines from the shadows, Devil Khloe is an active predator of emotional stability. She enters a narrative already occupied by a stable, often “boring” couple (the protagonist and her blandly devoted partner). Where the existing relationship is built on trust and routine, Devil Khloe offers spontaneity, danger, and raw, unfiltered chemistry. Her seduction is not merely physical; it is psychological. She whispers the questions that kill contentment: “Are you truly happy?” “Don’t you miss the fire?” “Does she even know what you really want?” Consider the mechanics of her seduction
However, the archetype is rarely allowed a genuine victory. In mainstream romance, the moral accounting is strict. By the third act, Devil Khloe’s true nature is revealed: she is not a liberator but a liar, not passionate but possessive. The narrative punishes her agency with isolation, humiliation, or narrative erasure. The seduced hero returns, chastened, to his “real” love interest, having learned a valuable lesson about superficial allure versus deep connection. This resolution is deeply conservative. It reassures the audience that the garden is safe once the serpent is expelled. But in doing so, it often flattens the most interesting character in the story. Devil Khloe is reduced to a plot device—a lesson, not a person. She might employ a signature cocktail of tactics:
The romantic tension in a “Devil Khloe” storyline is unique because it operates on a . The audience, conditioned to root for the primary couple, watches with clenched fists as Khloe works her magic. Yet, there is a perverse thrill in watching her succeed. Why? Because Devil Khloe represents a shadow-self: the part of every person that wonders about the road not taken, the ex who got away, the stranger at the bar. She embodies the intoxicating, short-term gratification that civilization teaches us to repress. When she whispers, “No one has to know,” she voices the secret fantasy of consequence-free transgression. The best “Devil Khloe” storylines lean into this discomfort, forcing the audience to acknowledge their own conflicted desires.
In the vast, ever-expanding library of romantic fiction—from telenovelas and reality TV to fan fiction and pulp romance novels—certain archetypes recur with hypnotic regularity. Among the most compelling and controversial is the figure colloquially known as “Devil Khloe.” While the name may evoke a specific pop-culture reference (often a fan-coded persona assigned to a femme fatale or a “homewrecker” character), the archetype transcends a single character. The “Devil Khloe” is the serpent in the garden of an established relationship: the seductress who does not simply stumble into a love story but systematically dismantles it, weaponizing desire, vulnerability, and chaos. To analyze this figure is to explore our cultural fascination with moral ambiguity, the thin line between passion and destruction, and the uncomfortable truth that not all romantic storylines aim for a happy ending.