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This duality creates a "virgin/whore" complex confined to a single character. The romantic storyline proceeds only after the film explicitly states, "She is not his real sister." But the emotional residue remains. The audience is trained to find the Chelli’s domestic servitude arousing and her romantic liberation threatening.
Traditionally, the Chelli in Telugu cinema is a symbol of raksha (protection) and anuraga (innocent affection). She is the hero’s moral compass—the one for whom he fights, the reason he reforms. Films like Rakshakudu or Gundamma Katha establish the brother-sister bond as sacred, often elevated above romantic love. The hero’s duty to his sister is absolute, and any threat to her is met with righteous violence.
This is a fascinating topic because it touches on a specific trope within Telugu cinema (Tollywood), often embodied by the character archetype of (Whose fault is it?) and the "Chelli" (Younger Sister) relationship dynamics.