Vol. 4 That 70s Ho -nubiles 20...: That Sitcom Show
, ever the dreamer of fame, finds himself caught between his '70s bell-bottoms and a premonition of his future success in the 2000s. Jackie (Mila Kunis)
In a strange twist of meta-fiction, imagine if the "That '70s" world collided with the mid-2000s era where your title seems to originate: Kelso (Ashton Kutcher) That Sitcom Show Vol. 4 That 70s Ho -Nubiles 20...
—are navigating the complexities of teenage life in the late '70s. The Season of Change (Volume 4) , ever the dreamer of fame, finds himself
“this is alas just another film that panders to the image Thompson himself tried to shirk – the reckless buffoon that is more at home on fraternity posters than library shelves. It is a missed opportunity to take the man seriously.”
This is an excellent summary on the attitude of the seeming majority of HST ‘admirers’.
It just makes me think that they read Fear and Loathing, looked up similar stories of HST’s unhinged behaviour and didn’t bother with the rest of his work.
There is such a raw, human element of Thompsons work, showing an amazing mind, sense of humour, critical thinking and an uncanny ability to have his finger on the pulse of many issues of his time.
Booze feature prominently in most of his writing and he is always flirting with ‘the edge’, but this obsession with remembering him more as Raoul Duke and less as Hunter Thompson, is a sad reflection of most ‘fans’; even if it was a self inflicted wound by Thompson himself.